Showing posts with label Cartoons. Show all posts
Showing posts with label Cartoons. Show all posts

Friday, March 16, 2012

Deconstructing Disney Part 2, Tonight on IllCon Radio!



What's up, buttholes?
Not a Hell of a lot of time to nourish your brains today, let it just be quickly said that IllCon Radio is going to be fucking awesome tonight, as we are completing our 2-part 'Deconstructing Disney' series. Here's what Cory sez:

"We are very honored to have legendary Disney Imagineer Rolly Crump speak with us. Rolly worked very closely with Walt himself starting as an animator and eventually becoming a lead designer for Disneyland on such projects as The Haunted Mansion, It’s A Small World and The Enchanted Tiki Room. Rolly will give us a behind the scenes look at the crazy creative process and hidden backstage stories of the old days at Disney.

Also joining us LIVE in the studio is Leonard Kinsey, author of
The Dark Side Of Disney, described as “The Anarchist Cookbook” of Disney travel guides. Leonard will give us the lowdown on how to have “adult” adventures at Walt Disney World. Yes, you too can have a vacation full of sex, drugs and rock n roll which truly makes it the happiest place on Earth."

Sounds like quite a show, but alas, there will be no Taco Bell Dorito Taco Locos Supreme featured this evening. Sorry.
Tune in here at 10pm, and don't be afraid to give us a call with your own psychedelic Disney stories at (415) 829-2980.

PS: I hinted at big things coming up on the podcast recently, and I'm now ready to release just a few:

1) Yes, the rumors are true. Gwar will be on the show in the very near future.
2) Yes, Municipal Waste will be on the show in the very near future.
3) Yes, my personal hero Sam McPheeters of Vice Magazine/Born Against/Wrangler Brutes/Men's Recovery Project/The Loom of Ruin will be on the show in the very near future.

That's seriously just the tip of the iceberg. More HUGE developments to be announced soon.
Buttholes.

Tuesday, March 13, 2012

TOO MUCH FUCKIN VUH

LOL @ this picture

I was re-watching Herzog's Nosferatu (yes, AGAIN) just the other night, and, once again, I was completely bowled over not just by the dismal/beautiful cinematography and natural wonder of the whole goddamn thing, but by the creepy, hypnotic score contributed by everyone's favorite Teutonic prog-jockeys Popol Vuh. As usual, brief ponderance morphed into lingering obsession, and today, I present you with two more droning Vuh/Herzog collabos, namely 1972's Aguirre, The Wrath of God and 1982's Fitzcarraldo. If you are looking to be utterly bummed/mind-blown by either a movie or a movie soundtrack, I can heartily suggest each of these entries--both films are super crushing in a depressive yet visually stunning way, and the swirling Vuh tapestries which accompany them are their perfect audio marriage.
Forget what you know about these two flicks. Forget Klaus Kinski completely losing his shit and driving everyone on set nuts with each successive role. Forget Herzog accidentally killing off, like, half of his crew with each movie he made from 1970-1985. Forget the fucking critical acclaim and forget the jungle diseases and forget that episode of Metalocalypse where they go all "Dethcarraldo" on the Amazonian natives.
Just soak in the dark, bummer vibes Popol Vuh is laying down for you on this rainy Tuesday afternoon, and thank sweet, sweet Odin that Hollywood still hasn't started on Aguirre 2: Pizarro's Revenge (starring Tom Hanks!) just yet... Nor Fitzcarraldo, Shot In 3D!
Some things are still sacred.


AGUIRRE OST (1972)

Download HERE
Purchase HERE




FITZCARRALDO OST (1982)

Download HERE
Purchase HERE



Also, LOL @ guy playing one ride cymbal

Popol Vuh Last.FM

Saturday, December 31, 2011

Important Announcement for the New Year

After a decade of bitter infighting and rancour between two ideologically polarized camps within ICHQ, I am delighted to announce the grand opening of IllCon East, a new subdivision of IC Enterprises which is charged with ensuring East Coast considerations are factored into decision-making around marketing, product development, and systems change. This venture comes on the coattails of a debate that has been percolating beneath the surface of everyday business and has made working alongside one another no longer possible. I now present to you IllCon East's mission statement:

FUCK YOU, WEST COAST
Allow me to explain...

Here on the East Coast, being metal is a fucking chore. You have to work at it. If you're a metalhead and come from anywhere East of Sanford Parker's fiefdom, Ohio, you're already handicapped. You're fucked. You have to ship in all your bullet belts and patches from El Salvador. Out on the West Coast every other day Wormrot is playing in LA, fucking Brocas Helm is playing Gilman or whatever it's called, blah fucking blah.

2nd one from left is 9th grade me

I was just talking to These a Beast, who lives in Jersey, about what shows we'd been to recently and it was downright scornful. The only show either of has had been to in the last month was the same goddamn show, one night apart from each other. Granted, it was Inquisition, and they fucking killed, but still. West Coast's got the labels, the communal groundswell, the bands, the venues, AND legal kush. It's like the metal is being handed to you on a silver plate; all you need to do is MOSH.

And don't get me started on Black Metal. How do you have all these awesome goddamn black metal bands on the West Coast? What do YOU know about Black Metal? Any 'banger worth his Nargaroth back patch knows Black Metal is all about winter, midnight vision quests through frost-choked ravines, taking your shirt off, and takin' a pic for the album cover. What does the West Coast know about winter? Where I'm from we're living an Immortal album 30% of the entire year while your metal bands are playing flutes around the bonfire, fucking celebrating the harvest, and yukking it up over a sack of northern lights.

er, we're not all like this, promise

(Speaking of New Jersey, that's probably the most metal places on the planet ain't it? Fuck sylven forests of primordial hardwoods and awe-inspiring ocean vistas, forget Norway...New Fucking Jersey man. It's basically built on top of toxic sludge and car parts. Anyone who elects to live there voluntarily earns their spike cuffs automatically.)

is more metal than

The East Coast always seems to get left out of conversations about metal (New Yorker notwithstanding), perhaps due to regional metal xenophobia, perhaps ignorance, perhaps its the smaller profiles of the bands, maybe a combination of all this. We gave you NYDM, Dio, Grief...the nascent scuzz-BM scene (see Mutilation Rites) is giving the Black Twilight Circle a run for their money IMHO...hell we've got Florida so right there we've buttoned up 90% of the American Death Metal legacy.



ANDMANOWAR

i know u like my layout skills

Now, I'm not saying we're completely infallible. In fact, we owe you a couple of apologies: namely Liturgy, the whole Savannah/Atlanta thing (seriously, what the fuck is up with the whole Kylesa/Baroness/Mastodon scene? can someone fill me in plz thx). We MIGHT be single-handedly responsible for metalcore also, now that I think about it. Whoops lol. I hereby apologise for all our past transgressions.


So anyway, yeah, this:

WEST COAST
i detect your pose
all the way from here


EAST COAST
trve

I rest my case.

You are cordially invited to the ceremonial ribbon cutting of the brand-new, 230 acre IllCon East campus, featuring an exclusive Evoken and Cannibal Corpse showcase*, and we will vote on IllCon East's new charter. I hereby lay down the gauntlet, West Coast pussies. The metal world is overdue for a good beef with all the trimmings, don't you think? Infantile posturing in album intros, threats of violence via YouTube, all that. How great would that be? Minus the assassinations, Varg.

FUCK YOU, WEST COAST.
*not verified

Wednesday, December 28, 2011

DALE SCHACKER - SABER RIDER AND THE STAR SHERIFFS OST (1987)


Does the name Dale Schacker mean anything to you? Have you ever heard of such forgotten in time, animation cell wasting fodder as Denver The Last Dinosaur? Twinkle The Dream Being? How about Mr Bogus? If you answered "who the fuck cares" to any of those questions then fair play..
Dale Schacker was a musician and composer for the above mentioned cartoons as well as for the early 80's US version of Voltron. High on the success of Voltron : Defender Of The Universe, the studio, World Events Productions, bought up a Japanese anime titled Star Musketeer Bismarck. After altering key plot points, adding scenes, modifying content and basically dicking around with the format they released it onto TV screens as Saber Rider And The Star Sheriffs in 1987.
Now, I will admit I had no clue whatsoever about this cartoon prior to becoming acquainted with the soundtrack about 3 years ago. In all honesty the actual series is pretty standard when compared to other 80's, space cowboy classics such as Bravestarr and Galaxy Rangers. What makes it, is the awesome soundtrack by Mr Dale Schacker. Awesome because he was granted full creative control to compose an entire score that would give the series its own identity and awesome for sounding like Bal-Sagoth playing Stan Bush songs while home invading Nickelodeon.
Schacker packs the soundtrack with a ton of shredding, uber-processed 80's guitar, dramatic build ups, Morricone-esque motifs featuring harmonica and whip cracks, a slight touch of synthpop melody and various pieces of music that sound like those bits in The A-Team when they are building a tank out of a toaster and a lawn mower. Basically, its a pretty sweet compilation of tons of things most Illcon followers approve of. Need music to soundtrack those crappy chores? Here you go. Need music to soundtrack ignoring your girlfriend? Here you go. Need music to get ripped to? here you go. Saber Rider covers all your needs.



Need further convincing? Then wrap your ears around the awesome....




If your not sold yet then there really is something wrong with you, so included as bonus tracks are the French and Japanese theme tunes, a whole host of metal and rock versions of the main theme, a couple of remixes and a pretty boring interview with Schacker that they could have done without really. 

P.S. The Saber Rider team had a huge robot cowboy thing titled Ramrod ( Bismarck in the original anime). As a kid, I had a catalogue for the inferior-to-Transformers GoBots which I am pretty sure featured a robot called Bismarck that was identical to the Saber Rider version. Can anyone shed any light on the Gobot connection?

Thursday, December 22, 2011

STAN BUSH HAS THE FUCKING TOUCH

Take a number, ladies.

As if the guitar-slinging, golden-throated, pussy-magnet shred wizard Stan Bush needs any sort of fucking introduction. You know him, you love him, you most certainly downloaded his finest work on the 1986 Transformers OST BACK HERE, you smoke his fingernail clippings, you masturbate to the liner notes of Higher Than Angels. You fucking know who Stan Bush is.
But on the outside chance that you don't already worship at the Altar of Stan, go to his website, have a look around, then come back here, crack a Carlsberg, and party the fuck down to the dulcet tones of "The Touch" (which most poseurs would probably identify as "that song from Boogie Nights"):



Thoroughly fucking pumped? Good.
Now that the Spirit of The Stan has ungently entered your body, it's time to get down with some super-obscure Bush Trivia. Now, I know what you're thinking: you're assuming this is the part of the post where I tell you that Stan Bush is one of the few people that crossed over between real life and the Transformers universe--via the Generation One, Season 5 scene in which, at an undetermined time period following the creation of the Headmasters and Targetmasters and the seeming defeat of Galvatron and Scorponok, Powermaster Optimus Prime spends a good deal of time relating Transformers stories to the human schoolboy Tommy Kennedy. Of course, after a series of stories wherein he describes the events of the battle with Unicron, Optimus Prime has to depart to attend an interstellar peace conference in the midst of a barrage of questions from Tommy. As he is blasting off, Prime declares "But until I return, I leave you with 'The Touch'!" Following this, the music video for "The Touch" begins, giving Stan his rare entrance into the fantastical realm of Transformers lore. This unprecedented appearance is also important when you consideHOLY FUCK THERE'S A LAZER COMING OUT OF HIS GUITAR.



But you guys all knew that shit already. I'm going deep on this one, into previously undiscovered regions of Bush Arcana. I will apologize in advance for your blown mind, for by the time you've finished reading this post you will be absolutely done for the day--no longer able to process any sort of information whatsoever.

I'll give it to you as quickly and bluntly as I know how:

In 2009, Stan Bush recorded a "re-imagining" of "The Touch" for the live-action sequel Transformers: Revenge of The Fallen, a hella sick Linkin Park inspired rip-off gem which fuses the seemingly unconnected worlds of simpering 80's wuss-rock and post-90's rap-metal. No further introduction is needed.

Enjoy Listen:



Needless to say, director Michael Bay rejected the song outright, leaving Bush to post it, forgotten, like a sad bunk sock hanging from an inner-city clothesline, on his own website. Until today, that is.

Sorry for raping all of your childhoods once again. My bad.

Thanks to Doan at the illustrious Kissing Contest podcast for alerting me to the existence of this timeless jam. Kill yourself.

Tuesday, July 19, 2011

FILM SKOOL

JUICY INSIDER GOSSIP ALERT!

It seems the famed father-and-son team behind the popular internet weblogs COSMIC HEARSE and CRUD WIZARD have decided to delve into a new form of media--namely dry erase animation!
Aesop and Ezra Dekker, whose other credits include black metal musician and elementary school student respectively, have pioneered a new method of filmmaking which involves camera, ink, eraser, and board only! Observe the following video, entitled Hardcore Rules, for a glimpse at some of their creative output thus far:



Pretty cool, right?

Well, the Insider Gossip Team here at IllCon have stumbled accross another nugget hidden deep in this story--apparently the Dekker Animation Crew are working on a dry-erase animation music video for none other than the Hooded Hooligans themselves--local splatterthrash favorites GHOUL!
So far the Dekker camp is hush-hush on the project, but the IllCon Insider has managed to procure production stills for the project through a super-secret informant THAT NO ONE ELSE HAS ACCESS TO, and they are indeed stunning.




Mum's the word so far on how long until the video "drops", but Readers can be assured of one thing: The IllCon Insider will be there waiting, ready to pass along all the red carpet tidbits as they surface!

Yeah. Here's this:

(flawless segue.)


GHOUL - MANIAXE (2003)

DIE

Metallum/Last.FM

Saturday, June 11, 2011

A Crash Course In Second-Tier 80's Cartoons Fueled By Equal Parts Nostalgia And NyQuil

Oops. It appears I've fallen down another rabbit hole. Hopefully, like me, you're sick as Hell and laid up on your couch, because this is going to take awhile. It started with me looking for a few old cartoons on YouTube. Hours later, eyeballs dry and carpal tunnel setting in, I realized it would be a criminal act if I didn't share.
I honestly couldn't keep this list any shorter than 20 shows, running the entire gamut of my cartoon-watching career. You can get most of these on DVD now, which I highly recommend doing if you're a cynical old codger like me. All of these shows are still better than just about anything you can find on television these days, what a shame that the majority of them ran for only one season or less...
Oh well, kick back and enjoy a healthy dose of nostalgia with 'ol Uncle Cobras, and, as always, feel free to add your own favorites in the comments section...


ULYSSES 31 (1981-82)



"The plot line of the series, (made by the French Jean Chalopin), describes the struggles of Ulysses and his crew against the divine entities that rule the universe, the ancient gods from Greek mythology. The Gods of Olympus are angered when Ulysses, commander of the giant spaceship, Odyssey, kills the giant Cyclops to save a group of enslaved children, including his son. Zeus sentences Ulysses to travel the universe with his crew frozen until he finds the Kingdom of Hades, at which point his crew will be revived and he will be able to return to Earth. Along the way they encounter numerous other famous figures from Greek mythology given a futuristic twist."

I was a little too young for Saturday morning cartoons when Ulysses 31 first came out (only 2 or 3), but I remember thinking it was pretty badass when I discovered it at an older age. Probably one of the finest sci-fi interpretations of Greek mythology ever created outside of Dan Simmons' Ilium/Olympos...


DUNGEONS & DRAGONS (1983-85)



"The general premise of the show is that a group of children are pulled into the "Realm of Dungeons & Dragons" by taking a magical dark ride on an amusement park roller coaster. Invariably, the children try to return home, but often take detours to help people, or find that their fates are intertwined with the fate of others. Upon arriving in the Realm, the children are a little out of place, but the Dungeon Master, named for the referee in the role-playing game, assuming the role of their mentor, appears and gives them each clothing and magical paraphernalia to suit their abilities."

Some of my earliest cartoon-related memories are of this epic D&D tie-in, so old and foggy were my recollections that watching episodes recently nearly brought a tear to my eye. And how rad is it that the Yoda-esque wizard dude is literally named The Dungeon Master?


MIGHTY ORBOTS (1984)



"The 23rd Century, the future is a time of robots and aliens. The people of Earth have banded together along with several other peaceful alien races to promote peace throughout the galaxy, forming the United Planets. As part of the United Planets, the Galactic Patrol — a body of law-enforcers — works to maintain order, under the leadership of Commander Rondu. However, a powerful criminal organization called SHADOW is out to destroy both the Galactic Patrol and the U.P. Led by Umbra, a massive cyborg-computer, SHADOW employs sinister agents and incredible schemes to attack and someday rule over all corners of the known-galaxy. There is one thing that helps to fight against SHADOW: ingenious inventor Rob Simmons — secretly a member of the Galactic Patrol — creates six special robots who can use their unique powers to battle against the forces of Umbra. Together, these robots can unite to form a giant robot called Mighty Orbot, to fight for truth, justice and peace for all."

Pretty much just a Voltron rip-off, but still pretty spectacular in its own right...


POLE POSITION (1984)



"The show featured three young sibling crime fighters, two of whom were stunt drivers and part of a secret government operation under the guise of the "Pole Position Stunt Show" that was run by their uncle. The youths inherited the role after their parents died in an unfortunate car accident. The team is equipped with two high-tech talking vehicles named "Roadie" and "Wheels". The vehicles featured numerous hidden gadgets like water skis and hover jets. The vehicles' computers themselves are portable and can be removed from the dashboards and carried around using handles (thus they are often referred to as "the modules"). They are characters that appeared as computer-drawn faces displayed on video screens."

Again, many early cartoon memories swirl around this show as well, vivid scenes of Saturday mornings armed with naught but pajamas and a bowl of Cheerios...


JAYCE And The Wheeled Warriors (1985, syndicated 1989-91)



"The show featured two duelling forces. The "good guys" are humans, called the Lightning League. They drive white and silver vehicles with assorted weaponry, and are led by Jayce. The "bad guys" are organic green vegetable-based creatures called the Monster Minds, who tend to take the shape of black and green vehicles. They travel via large green organic vines which can grow in and across interstellar space, and sprout seeds that rapidly grow into further Monster Minds. They are led by Saw Boss."

This show just plain rules, always has and always will. The vehicles were awesome, the villains were awesome, the toy line was fucking kick-ass. How long until we see a Hollywood Jayce "re-imagining", you think?


GALTAR And The Golden Lance (1985)



"The series is about the mythical adventures of three companions: Galtar, Princess Goleeta, and her younger mind controlling brother, Zorn. Galtar, with the help of his Golden Lance, is fighting with Tormack, the tyrannical usurper of the kingdom of Bandisar who is conquering their entire world. Tormack is responsible for the death of both Galtar's parents and assassinating the rest of Goleeta and Zorn's family. Tormack, among others like him, covets the power of Galtar's supernatural weapon, the Golden Lance, in order to combine it with the stolen ancient and indestructible Sacred Shield, which rightfully belongs to Goleeta and Zorn. For whoever holds both cannot be brought down in any form of combat. Also aiding Galtar and his friends are his loyal horse, Thork and the powerful red dragon known as Raven's Claw. Further hindrances (plus comic relief) to this trio comes from inept father and son mercenaries Rak & Tuk, who have a history of double crossing others at every turn, claiming that it is the only work they know."

Kind of a weird and obscure one, Galtar bit He-Man pretty hard, but the plain and honest truth is that this show was better drawn and had way cooler story lines. And no Orko.


M.A.S.K. (1985-86)



"A total of 75 syndicated episodes of 'M.A.S.K.' were broadcast from 1985 to 1986. One of many cartoons produced during the 1980s as a vehicle for toy merchandising, 'M.A.S.K.' (which is an acronym for the Mobile Armored Strike Kommand), was a hybrid of popular era cartoons 'G.I. Joe' and 'The Transformers'. It featured a special task force featuring an array of characters, led by Matt Trakker, with transforming vehicles engaged in an ongoing battle against the criminal organization V.E.N.O.M. (an acronym for the Vicious Evil Network of Mayhem), with an emphasis on super-powered helmets called masks worn by the characters on the show."

All about the toy line and comic book on this one. Sure, the cartoon was pretty great too, but the little tools, helmets, and weapons that the action figures came with? Forget about it.


CHUCK NORRIS: Karate Kommandos (1986)

(Seriously, try to count how many times the announcer says "Chuck Norris" in this intro.)



"This fictionalized version of Norris is a United States government operative with a team of "radically diverse" warriors known as the Karate Kommandos. Together, they fight against the organization VULTURE led by The Claw and his right-hand man Super Ninja."

As far as I'm concerned, this was the high point of Mr. Norris' career. Well, this and Sidekicks , with Jonathan Brandis.


GALAXY HIGH (1986)



"Two earth teenagers who are accepted into the interstellar high school, Galaxy High School on the asteroid Flutor. The teenage boy, Doyle, was a skilled athlete and popular, while the teenage girl Aimee was shy and as the theme song states, "the smartest girl in school, not very popular, not very cool." But once in space their roles are somewhat reversed. The alien teenagers seem to accept the not so popular Aimee, while Doyle tends to rub the aliens the wrong way. Although Doyle finds himself an outcast and having difficulties adjusting, Aimee does not abandon him, and suggests he can make friends and bring glory to Galaxy High through his excellent sporting abilities, which he does by winning a championship in "psych-hockey", which Galaxy High always lost. The show drops many hints of a budding romance between Doyle and Aimee but was never given time to grow due to the show not being renewed for a second season."

I had totally forgotten about this one for several years, but Galaxy High was actually pretty cool. More on the 'comedy' side than the 'action-adventure' fare I usually enjoyed, but enough sci-fi was thrown in that it remained relevant to my interests.


SilverHawks (1986)



"Bionic policeman Commander Stargazer recruited the SilverHawks, heroes who are "partly metal, partly real," to fight the evil Mon*Star, an escaped alien mob boss who transforms into an enormous armor-plated creature with the aid of Limbo’s Moonstar. Joining Mon*Star in his villainy is an intergalactic mob: the snakelike Yessman, the blade-armed Buzz-Saw, the "bull"-headed Mumbo-Jumbo, weather controller Windhammer, shapeshifter Mo-Lec-U-Lar, robotic card shark Pokerface, weapons-heavy Hardware, and "the musical madness of" Melodia (uses a "keytar" that fires musical notes)."

How this amazing series only ran one season I'll never understand, especially since it came from the same creators as the hugely successful ThunderCats. The action figures were excellent as well.


The Adventures of The GALAXY RANGERS (1986-89)



"The show is set in the future, some time after the year 2086, when two aliens from the planets Andor and Kirwin travel to Earth to search for allies against the expansionist Crown Empire led by the Queen of the Crown. In return for the help, the two aliens gave mankind construction plans for a hyperdrive device. After this key event in human history, interstellar travel flourished and a huge number of colonies emerged in distant star-systems. Alongside the growth of human activities in space, criminal activities also grew, and the new colonies required defense against various threats, including the Crown Empire. A group known as "BETA" (Bureau for Extra-Terrestrial Affairs) was founded to cope with these tasks, with a "Ranger" division being a part of it."

The "animated space western" always seemed like a woefully under-explored sub-subgenre, but the fact that this lesser-known series actually stuck it out for three whole seasons lends it a little credence. This was quite simply a really creative, awesome show.


VISIONARIES: Knights of The Magical Light (1987)



"Set on the planet Prysmos, the Visionaries consist of two groups of knights — the Spectral Knights and the Darkling Lords. They are both called to for a competition by the wizard Merklynn. After surviving traps, dangerous creatures, and each other, the survivors on both sides are rewarded. Everyone of them is given a different animal totem which appears on the front of their armor, which they can turn into. The animals are selected by Merklynn based on their personalities."

I had a bunch of the action figures, but if memory serves, the vehicles were where it's at. The show was good too, I still have several episodes tucked away on VHS somewhere...


SPIRAL ZONE (1987)



"On June 18, 2007 renegade military scientist Dr. James Bent uses a hijacked space shuttle to drop his deadly Zone Generators across half of the Earth, a region called the Spiral Zone (due to its shape). Millions of people are trapped in the dark mists of the Spiral Zone and transformed into Zoners with lifeless yellow eyes and strange red patches on their faces. Because they have no will to resist, Bent - now known as Overlord - makes them his slave army and controls them from the Chrysler Building in New York City...
... With major cities Zoned, the nations of the world put aside their own differences in order to fight off the Black Widows. However, only five soldiers using special suits to protect themselves from the Zone could do it. While easy to destroy, Zone Generators were impossible to capture because of booby traps. Overlord would drop more generators on remaining military and civilian centers and force the Zone Riders into a standoff."


Dude. Epic post-apocalyptic zombie warfare. This was a cartoon that would give you fucking nightmares. I actually wouldn't mind seeing a movie version of this one. Christopher Walken as Overlord?


BraveStarr (1987)



"BraveStarr is an American space Western animated television series. The original episodes aired from September 1987 to February 1988 in syndication. It was created simultaneously with a collection of action figures. BraveStarr was the last animated series produced by Filmation and Group W Productions that was broadcast. "Bravo!", a spin-off series (originally called "Quest of the Prairie People") was in production along with "Bugzburg" when the studio closed down...
... Like many of Filmation's TV series (including 'He-Man and the Masters of the Universe', 'She-Ra: Princess of Power', 'Shazam', 'The Secret of Isis', and the animated 'Ghostbusters'), a moral lesson is told at the end of each episode. One particularly notable episode is "The Price," in which a boy buys a drug called "spin," a hallucinogen similar to LSD, becomes addicted to it, and dies from an overdose."


I remember the toys for this show being really awesome as well, although I don't recollect ever owning any. That bipedal, anthropomorphic horse always freaked me out, though...


DINOSAUCERS (1987-88)



"The show follows the Dinosaucers and their battles against the evil Tyrannos. Each group is composed of intelligent anthropomorphic dinosaurs or other prehistoric reptilian species. The Dinosaucers are also allied with four humans known as the Secret Scouts. The two groups originally come from a planet in a counter-Earth orbit known as Reptilon. Most of the characters are named after the type of prehistoric animal they are based on, or some pun of the name."

Great show, but I never really got a handle on the name. DinoSAUCERS? Really?


DINO RIDERS (1988)



"The series focuses on the battle between the good Valorians and evil Rulons on prehistoric Earth. The Valorians were a super human race, whilst the Rulons were a mixture of humanoid creatures — both of which came from the future, however ended up transported back in time to the age of Dinosaurs. Once on Earth, the Valorians befriended dinosaurs whilst the Rulons brain-washed them."

Hands down, BEST ALSO-RAN 80'S CARTOON EVER. The concept alone sold me, but the episodes themselves live up to the hype. Mechanized warrior dinosaurs? Where do I sign up?


C.O.P.S. (1988-89)



"The year: 2020. The place: Empire City. The situation: Brandon “Big Boss” Babel (along with his gang of crooks) is holding the entire city under the palm of his iron hand and the Empire City Police Department can do nothing to stop him. As a last resort, Mayor Davis sends in Special Agent Baldwin P. Vess (Codename: Bulletproof) to take him down. However, Bulletproof suffered very serious injuries in a car wreck during a fight with Big Boss' criminal henchmen and had to be taken to the hospital, where he is given a cybernetic bullet-resistant torso to save his life as it would take years for his torso to recover."

Better than the other COPS and killer action figures to boot!


VYTOR: The Starfire Champion (1989)



"Armed with the magic shield Vytor, along with the beautiful Skyla and his friends, battle Myzor Sarcophogus for the Starfire Ring and try to recover the Saturn Orb."

Probably the most obscure cartoon on this list, Vytor was nonetheless amazing, and can be found on DVD in modern times. The video up there just captures such a sense of wonder, of all-encompassing nostalgia... Man, I miss you, Vytor.


CAPTAIN N: The Game Master (1989-91)



"At the outset of the first episode the hero of the series, Kevin Keene, a teenager from the Northridge, Los Angeles, California, and his dog, Duke, are taken to another universe known as Videoland when they are sucked into a vortex, called the Ultimate Warp Zone, that formed in his television. In order to fulfill an ancient prophecy Kevin is destined to become the hero "Captain N: The Game Master" and save Videoland from evil forces, led by Mother Brain from the floating world/fortress called Metroid. By the time Kevin arrives on the scene, Mother Brain has almost succeeded in capturing the Palace of Power and conquering all Videoland."

It was like playing Nintendo without the hassle of actually using your hand muscles! Or brain! Genius!


THE PIRATES OF DARK WATER (1991-93)

(No embeddable versions of the intro on YouTube, enjoy a "fan trailer" instead.)



"The Pirates of Dark Water is a fantasy animated series produced by Hanna-Barbera in 1991. The series followed a group of adventurers on a quest to collect the Thirteen Treasures of Rule, which possessed the combined power to stop an evil substance known as "Dark Water" from consuming the alien world of Mer."

By the time Pirates of Dark Water came out, I was just about grown out of my cartoon phase, moving on to other useless pursuits like girls and sports. But it was still an excellent show, a guilty pleasure for a young teenager unable to abandon his childhood outright. Plus, the female protagonist? BABE CENTRAL.