The 6 Shittiest Little Brother Bands Of All Time

Being the little brother of an established rock star is a mixed blessing. Sure you can get more hype for your crap band but you will forever be in the shadow of the dickhead that kicked your ass when you were little. Here at Ill Con Labs we have been doing extensive research on the phenomena of little brother bands and we have come to this conclusion: THEY ARE ALL SHITTY.

Deep inside Ill Con LABS

Through many years of studying we can now bring you the definitive list of THE TOP SIX SHITTY LITTLE BROTHER BANDS EVER (after the jump)!

6 - .38 Special

Legendary Lynard Skynard front man Ronnie Van Zant will go down in history as one of the most badass singer/lyricists of all time. Too bad his shitty little brother Donnie won't. Known for their famous earworm "Hold On Loosely," which is obviously about Van Zant's masturbation style, .38 Special will forever be known as one of the most frequent bands on the county fair circuit. Amazingly .38 Special have recorded a whopping TWELVE albums including a disastrous Christmas album. Catch them live since they are perpetually on tour playing venues full of people waiting for that "one song."

5 - Malo

This is Carlos Santana's little bro Jorge's band. Known for their hit "Suavecito" which should be familiar to any red blooded Chicano American. I have to admit that I have mad love for that song as a burrito eater of Mexican decent, but the rest of their 8 album output? SHIT SHIT SHIT. Admittedly Carlos has become a total flaming bag of musical poop himself over the last decade. However those first 5 Santana albums (Self Titled - Welcome) are mighty, brutal and heavy as fuck. That's right. I rep for early Santana!

PS: Malo is also perpetually on tour. I'm seeing a trend here.

4 - Powerman 5000

I don't even know where to start with this fuckface. Powerman 5000 is the brainchild of "Spider One," younger brother of one the worst rock vocalist of all time Rob Zombie. If you thought "Dragula" was bad then you have never heard "When Worlds Collide" the one Powerman 5000 song to hit the charts. He's actually a WORSE singer than his older bro which is saying something! These guys basically cornered the shitty soundtrack market, as their contributions to terrible soundtracks is mightily impressive. Here is just a partial list of the soundtracks they have appeared on in addition to their 9 craptastic studio albums:

Freddy vs. Jason, Bride Of Chucky, End Of Days, Zoolander, Universal Soldier: The Return, Little Nicky, Scream 3, Dracula 2000, Blade II, Return Of The Living Dead 5: Rave To The Grave, NASCAR Thunder 2004


And thats just the tip of the iceberg! SHEESH! The only movie in that list I'll stand behind is Zoolander, though I have not seen Return Of The Living Dead 5: Rave To The Grave which I must say intrigues me. I guess Blade II is OKAY.

3 - Adema

Fuck Bakersfield, CA for being a shitty town that gave us not one, but two of the shittiest bands of the last two decades. This band is fronted by Mark Chavez, who is the lil' half bro of the current King Of Dubstep, KORN's Johnathan Davis. Yes, this band got a record deal by riding KORN's coattails. How can they sleep at night? Can you imagine the groupies they get? Like Powerman 5000 they ended up on a bunch of b-movie soundtracks and still seem to be playing in some form or another. They are currently playing venues called things like "Bleachers Sports Bar" in Bristol, CT and have 4 amazingly awful albums under their belt  You remember their song. It's the worst. Fuck you, Adema! 

2 - Bloodcum

Ok this one gets a little confusing. The bass player in this 80s thrash outfit is the little brother of Slayer's Tom Araya. That is a fact. However the singer "Joey Hanneman" was NOT the brother of Slayer guitarist Jeff Hanneman and they just gave him that name as a joke since they kind of looked alike. I guess they reformed in 2005 and play shows on and off. These guys get a pass because they aren't that bad and LOL "BLOODCUM" is a funnie name, but let's face it, compared to Slayer they completely suck.

1- Audiovent

Fucking hands down, without a doubt, no two ways about it, the WORST little bro band in the world ever is the steaming pile of dreck known as Audiovent. Audiovent is very special as 3 out of the 4 members are little brothers of the terrible people known as alternative rockers Incubus. THREE OUT OF FOUR MEMBERS. FUCKKKK ME! According to wiki:


Three out of four of the original members of Audiovent are related to members of the band Incubus. Jason Boyd is the brother of vocalist Brandon Boyd. Benjamin Einziger is brother of guitarist Mike Einziger, and Paul Fried is their stepbrother.


Everything about this band is utterly embarrassing for everyone involed. Their lyrics were juvenile at best. Riffs? Who needs riffs? The production sounds like my butt. Look at that motherfucker's half shirt. Makes me upset.


They achieved minor success in 2002 touring with other amazingly disgusting bands like Saliva (RIP) and Theory of a Deadman (lol).Also they are from Calabasas, CA which is the same suburban cesspool of rich white shitheads as Linkin Park and the Kardashians (they are Armenian but you get my drift). Thank god they broke up in 2004. Something we can all be happy about. 

Honorable mention: Roger Clinton

Little bro to our very own rockstar POTUS, Roger Clinton is famous for doing coke while Bill was Governor (which Bill later pardoned him from while in office!) and releasing a terrible album of whiteboy blues while his older brother was the president. Roger is also an actor appearing in such films as Fred Claus and Pumpkinhead II!

A true American hero! Roger Clinton we salute you!!!!!

Recent shot of the Clinton Bros. I would totally smoke a blunt with these dudes.

Check out this hot JAMMMMM! WALKIN' THE DOGGG!! OWWWWWWWWW!

TOO MUCH FUCKIN VUH

LOL @ this picture

I was re-watching Herzog's Nosferatu (yes, AGAIN) just the other night, and, once again, I was completely bowled over not just by the dismal/beautiful cinematography and natural wonder of the whole goddamn thing, but by the creepy, hypnotic score contributed by everyone's favorite Teutonic prog-jockeys Popol Vuh. As usual, brief ponderance morphed into lingering obsession, and today, I present you with two more droning Vuh/Herzog collabos, namely 1972's Aguirre, The Wrath of God and 1982's Fitzcarraldo. If you are looking to be utterly bummed/mind-blown by either a movie or a movie soundtrack, I can heartily suggest each of these entries--both films are super crushing in a depressive yet visually stunning way, and the swirling Vuh tapestries which accompany them are their perfect audio marriage.
Forget what you know about these two flicks. Forget Klaus Kinski completely losing his shit and driving everyone on set nuts with each successive role. Forget Herzog accidentally killing off, like, half of his crew with each movie he made from 1970-1985. Forget the fucking critical acclaim and forget the jungle diseases and forget that episode of Metalocalypse where they go all "Dethcarraldo" on the Amazonian natives.
Just soak in the dark, bummer vibes Popol Vuh is laying down for you on this rainy Tuesday afternoon, and thank sweet, sweet Odin that Hollywood still hasn't started on Aguirre 2: Pizarro's Revenge (starring Tom Hanks!) just yet... Nor Fitzcarraldo, Shot In 3D!
Some things are still sacred.


AGUIRRE OST (1972)

Download HERE
Purchase HERE




FITZCARRALDO OST (1982)

Download HERE
Purchase HERE



Also, LOL @ guy playing one ride cymbal

Popol Vuh Last.FM

JOHN MOTHERFUCKING CARPENTER - ASSAULT ON PRECINCT 13 SOUNDTRACK (1976)

I'll be honest with you guys: I ain't a big fan of John Carpenter's 1976 jam Assault on Precinct 13 (nor its 2005 remake, ugh)--after all, when you put that motherfucker side by side with JC's work in the 80's (The Thing, They Live, Big Trouble In Little China, hell, even second-tier shit like The Fog, Prince of Darkness, and 1994's In The Mouth of Madness) it just doesn't stand up. I mean, hey, what does? Nothing. That's what. But Precinct is still a good movie, to be sure: a study in isolation, paranoia, and xenophobia that plays out like an extended version of the police station raid scene in the original Terminator. It just came from a time when Carpenter was still in the process of perfecting his chops.

Speaking of his chops...

Goddamn this dude has a way of creating atmosphere with a Casio keyboard, a shit drum machine, and about six notes. He performed similar magic with the ultra-basic They Live score, but Precinct takes it a step further. The entire duration of this recording is basically a study on "variations of a theme"--never straying from the same tempo and basic root notes, only occasionally stumbling into dark alleys of either murmuring noise or complete silence. I've been heavily into shit like this lately--moody, repetitive horror/suspense scores, the more Euro the better.

I was stoked to see that WhatFreshHell over at The Living Doorway was giving new-school retro minimalist Moog-horror composer Umberto a spin recently, as I too have been basking in the man's meaty fart-bass and soothing synth as of late. I highly recommend visiting Umberto's Bandcamp forthwith if you're into that kind of thing, although a pioneer and/or innovator he ain't. Dude wears his influences on his sleeve when he isn't outright ripping them off--Goblin, Frizzi, and, of course, ol' Uncle John. Credit where it's due, I guess. Whatever.
Carp did it first. Carp did it best.

Download HERE
John Carpenter website/Last.FM



Today is Friday, February 24th.

Witch means:

a) You are either going to Eli's Mile High Club in Oakland to see Bell Witch, Worm Uoroboobyrobbybobdobbs 'R' Us, Alaric, Sutekh Hexen, and muthafuckin' APOCRYPHON tonight (get there EARLY! We are opening at like 7:30 or some such bullshit!), or:

b) If you are unfortunate enough to live outside the San Francisco Bay Area, you should tune in to FCCFreeRadio.com Studio 1A at 10pm for Episode 24 of IllCon Radio. I won't be there, so it will probably suck. But they have a demonologist or some shit coming on, so maybe it will be cool. I dunno. Call Cory, Erik, and Al at 415.829.2980 and give them some shit. Tell 'em Cobras sent you.

ALSO:

SRSLY GUISE SOOOOOO STOKED FOR THIS

TREVOR JONES - Angel Heart OST (1987)

Mention the name Trevor Jones to people and they will probably shrug their shoulders with indifference. Mention the films Dark Crystal, Labyrinth, Excalibur, Runaway Train or Dark City and they might have heard of a couple of those ( you would hope they have, if anyone ever denies hearing about or seeing one or more of these films, they can't be trusted!). Well Trevor Jones was responsible for the music to all of those.

I could recount Jones's career and what not but you can read all about him on Wikipedia so lets jut skip that and jump to the post, his atmospheric score to Alan Parker's supernatural 1987 flick, Angel Heart.

If you are familiar with the film ( you should be, if not then rectify this personal failure), then you will know about the claustrophobic atmosphere and general creepiness it exudes. Trevor Jones managed to capture this mood perfectly with a score that feels like a constantly shifting musical suite rather than separate tracks. Starting as it does with the mournful saxophone and creeping synths before moving into the downtrodden blues and thumping heartbeat of the second half, punctuated throughout with sampled dialogue detailing Mickey Rourke's doomed search. Its been my "drive to work" album for the past few weeks, my co-workers hate me for it.

Saxual Healing

The film is streaming online and its easy enough to find so get on that as well. Rourke and De Niro on fine form.

Stallone soundtrack pump up/round up.

The joys and awesomeness of movie montage music have been extolled many a time here on Illcon. From the awesome Blood Bros mix-tapes to Cobra's in-house work out mix, we all know how hard they rule as well as the obvious mental and physical benefits that can be attained from listening to such down right manly, life affirming and brutally cool tunes.
Now, your probably wondering what all this is leading to? Well, as a sucker for soundtracks in general I routinely go through my collection and realised that out of everything I have, there is one actor who seems to have dominance over the rest of my OST shelf, that one man is Mr Sylvester Stallone.

On closer inspection I realised that he also seems to have the most relevance when it comes to pump up montages ( as well as more often than not having soundtracks that are far more entertaining than the actual films they correspond to). I mean, Rocky is the main culprit when it comes down to it. In fact, the first 4 Rocky films possess enough sweaty working out set to awesome rock music footage to power a small country. Eye of The Tiger, case in point. The ruling Kingpin of montage riffary. So in the Illcon spirit of educated the uneducated, I have pulled out my personal picks of the Stallone OST library for you good people to enjoy, kick back, work out and be cool to.

Various Artists - Rocky IV

Starting of with the undisputed king of pump up soundtracks, Rocky IV. The first Rocky film I ever saw also possesses the best of the series music. Of course Eye of The Tiger is here, but so is No Easy Way Out, Sweetest Victory and Hearts On Fire. Not to mention Vince Dicola's two instrumental ass-kickers. Pure montage fury. I'm also pretty sure the film has more montages per reel than any other film.

If he dies, he die.

Various Artists - Over The Top

I don't think anyone knew where Stallone was going with this film, I am pretty sure he didn't either but he made damn sure the soundtrack was solid. Ignore the stinkers from his brother Frank and the limp effort by Kenny Loggins, just focus on Sammy Hagar's timeless Winner Takes It All. Asia's Gypsy Soul, Larry Greene's Take It Higher and Giorgio Moroder's instrumental The Fight. Need a soundtrack for your next Tuesday arm wrestling meet up? Here you go.

Weiner takes it all.

Harold Faltermeyer - Tango & Cash

Can a buddy cop movie go wrong? Even with Kurt Russell involved? I am afraid so. Case in point, Tango & Cash. Despite a pretty okay chemistry between the Kurtster and Stallone, Robert Z'dar swinging his giant chin around and some pretty sweet cowboy boots with a gun hidden in the heel, this was a surprisingly lumpen affair. The same can't be said of the classy score courtesy of the main man Harold Faltermeyer though. Combining the upbeat, streetwise sounds of his Beverly Hills Cop score alongside the more brooding work he cultivated on The Running Man, Mr Faltermeyer pulls another winner out the bag.

 Rambo? Rambo's a pussy.

Various Artists - Cobra

Believe it or not, this was originally what Beverly Hills Cop was going to be like. After being pushed off the project, Stallone vowed he would make the film he intended. The result was Cobra. Awesome for being so lame on so many levels. The soundtrack is worthwhile for Jean Beauvoir;s Feel The Heat, Gary Wright's lost classic Hold On To Your Vision and the instrumental efforts by Sylvester Levay. Perfect music to soundtrack some rogue policing.

This is where the law stops and I start - sucker!

Keith Emerson - Nighthawks

You decide to make a movie about Billy Dee Williams and Stallone chasing a crazed, European bomber as he blows up innocent people. Who would you get to soundtrack it? How about organ destroying, keyboard pioneer Keith Emerson? Superb idea. Emerson crafted a pretty solid score with this one. In a very similar way to Lalo Schiffrin approaching his work on Dirty Harry from a jazz background, Emerson approached Nighthawks with a head full of prog keyboard noodling and worked unhindered until it was complete.

There is no security

All this awesomeness has made me wonder when the montage actually came into use? I remember Rocky from being a kid but did such a thing exist in the 60's or 70's?

DALE SCHACKER - SABER RIDER AND THE STAR SHERIFFS OST (1987)

Does the name Dale Schacker mean anything to you? Have you ever heard of such forgotten in time, animation cell wasting fodder as Denver The Last Dinosaur? Twinkle The Dream Being? How about Mr Bogus? If you answered "who the fuck cares" to any of those questions then fair play..
Dale Schacker was a musician and composer for the above mentioned cartoons as well as for the early 80's US version of Voltron. High on the success of Voltron : Defender Of The Universe, the studio, World Events Productions, bought up a Japanese anime titled Star Musketeer Bismarck. After altering key plot points, adding scenes, modifying content and basically dicking around with the format they released it onto TV screens as Saber Rider And The Star Sheriffs in 1987.
Now, I will admit I had no clue whatsoever about this cartoon prior to becoming acquainted with the soundtrack about 3 years ago. In all honesty the actual series is pretty standard when compared to other 80's, space cowboy classics such as Bravestarr and Galaxy Rangers. What makes it, is the awesome soundtrack by Mr Dale Schacker. Awesome because he was granted full creative control to compose an entire score that would give the series its own identity and awesome for sounding like Bal-Sagoth playing Stan Bush songs while home invading Nickelodeon.
Schacker packs the soundtrack with a ton of shredding, uber-processed 80's guitar, dramatic build ups, Morricone-esque motifs featuring harmonica and whip cracks, a slight touch of synthpop melody and various pieces of music that sound like those bits in The A-Team when they are building a tank out of a toaster and a lawn mower. Basically, its a pretty sweet compilation of tons of things most Illcon followers approve of. Need music to soundtrack those crappy chores? Here you go. Need music to soundtrack ignoring your girlfriend? Here you go. Need music to get ripped to? here you go. Saber Rider covers all your needs.

Get it here.

Need further convincing? Then wrap your ears around the awesome....

If your not sold yet then there really is something wrong with you, so included as bonus tracks are the French and Japanese theme tunes, a whole host of metal and rock versions of the main theme, a couple of remixes and a pretty boring interview with Schacker that they could have done without really. 

P.S. The Saber Rider team had a huge robot cowboy thing titled Ramrod ( Bismarck in the original anime). As a kid, I had a catalogue for the inferior-to-Transformers GoBots which I am pretty sure featured a robot called Bismarck that was identical to the Saber Rider version. Can anyone shed any light on the Gobot connection?

THE HOLIDAYS ARE A LONELY TIME

My very first post for you fine people here at IllCon was going to be this grand opening statement about all the things I like and all the awesome things I plan on bestowing upon you. Well, I decided against that in favour of a more festive themed post.

First off, I hate Christmas. I hate all the usual things about it, the build up, the chatter about it at work, the constant rotation of Christmas songs on the radio, everything. All these things are pretty standard. My biggest gripe about Christmas is the fact that there is no escaping it in the slightest. No matter what we do, we are reminded about it wherever we go. Short of my grand master plan of having that small shack in the hills, away from civilisation, booby trapped and armed to the teeth, I don't think I will ever be able to avoid it fully. My usual plan for Christmas is barricading myself indoors alone, stocked up on booze, tunes and movies and just riding it out.

Its during these periods of being drunk by 11:30AM that you begin get a bit to involved in what's actually soundtracking your shambling, slightly destructive tour of the house. So as an early Christmas present, here is my go-to-lonely drinking album of choice, the Micheal Kamen and Eric Clapton helmed score to 1987, buddy cop, celluloid classic, Lethal Weapon.

Now, bear with me. I know Clapton is a bit out of touch these days and no one really cares who Micheal Kamen is, but I believe more than a few of us can relate to waking up in a trailer, feeling like shit and the dog needing to go out? Just like Riggs. Maybe even a smaller fraction of us can relate to having a hollow point bullet spare to do the "job right" should it come to it? Anyway, if you fall into one of these two groups then the sparse orchestral arrangements, sleazy bursts of sax and brief guitar interludes should carry you through this holiday season on your lonely chair untouched ( as long as you ignore the albums opening title track, which is just plain bad). Just keep your glass full and don't answer the door.

I'm getting to old for this Christmas shit!

Of course, you will need some visual stimulation as well. So here is my list of usual Christmas viewings.....

Now please leave me alone.

Indeed. Oliver AKA Nothing Left Inside is the newest addition to Team IllCon, and arrives with all metal credentials firmly in place (he has played with acts such as Black Mass, The Ergon Carousel, Atavist, and Narcosis, as well as writing for Die, Shellsuit, Die! and his own blog, Gonna Make The Pony Trot). Seems like a perfect fit, right? Of course.
WHAT COULD POSSIBLY GO WRONG?

- Cobras

STAN BUSH HAS THE FUCKING TOUCH

Take a number, ladies.

As if the guitar-slinging, golden-throated, pussy-magnet shred wizard Stan Bush needs any sort of fucking introduction. You know him, you love him, you most certainly downloaded his finest work on the 1986 Transformers OST BACK HERE, you smoke his fingernail clippings, you masturbate to the liner notes of Higher Than Angels. You fucking know who Stan Bush is.
But on the outside chance that you don't already worship at the Altar of Stan, go to his website, have a look around, then come back here, crack a Carlsberg, and party the fuck down to the dulcet tones of "The Touch" (which most poseurs would probably identify as "that song from Boogie Nights"):



Thoroughly fucking pumped? Good.
Now that the Spirit of The Stan has ungently entered your body, it's time to get down with some super-obscure Bush Trivia. Now, I know what you're thinking: you're assuming this is the part of the post where I tell you that Stan Bush is one of the few people that crossed over between real life and the Transformers universe--via the Generation One, Season 5 scene in which, at an undetermined time period following the creation of the Headmasters and Targetmasters and the seeming defeat of Galvatron and Scorponok, Powermaster Optimus Prime spends a good deal of time relating Transformers stories to the human schoolboy Tommy Kennedy. Of course, after a series of stories wherein he describes the events of the battle with Unicron, Optimus Prime has to depart to attend an interstellar peace conference in the midst of a barrage of questions from Tommy. As he is blasting off, Prime declares "But until I return, I leave you with 'The Touch'!" Following this, the music video for "The Touch" begins, giving Stan his rare entrance into the fantastical realm of Transformers lore. This unprecedented appearance is also important when you consideHOLY FUCK THERE'S A LAZER COMING OUT OF HIS GUITAR.



But you guys all knew that shit already. I'm going deep on this one, into previously undiscovered regions of Bush Arcana. I will apologize in advance for your blown mind, for by the time you've finished reading this post you will be absolutely done for the day--no longer able to process any sort of information whatsoever.

I'll give it to you as quickly and bluntly as I know how:

In 2009, Stan Bush recorded a "re-imagining" of "The Touch" for the live-action sequel Transformers: Revenge of The Fallen, a hella sick Linkin Park inspired rip-off gem which fuses the seemingly unconnected worlds of simpering 80's wuss-rock and post-90's rap-metal. No further introduction is needed.

Enjoy Listen:



Needless to say, director Michael Bay rejected the song outright, leaving Bush to post it, forgotten, like a sad bunk sock hanging from an inner-city clothesline, on his own website. Until today, that is.

Sorry for raping all of your childhoods once again. My bad.

Thanks to Doan at the illustrious Kissing Contest podcast for alerting me to the existence of this timeless jam. Kill yourself.

Naked Lunch

I'm not a statistician, but based on the crude, haphazard and half-assed surveying that I've done, I'd be willing to guess that the average IllCon reader has some interest in William S. Burroughs and/or David Cronenberg. As far as my lazy research tells me, there is only one place where the two overlapped, 1991's Cronenberg directed film version of Naked Lunch. The director's early work in the 70's and 80's essentially founded a whole new way of looking at monster horror, namely in which the monster is within ourselves and hence, Burroughs seems a nice fit. Cronenberg has since branched out into new genres but the theme of internal transformation still runs through his work.

While it included many aspects of its titular source, the film Naked Lunch also included biographical material from Burroughs' life. Still, I don't think one necessarily has to be a fan of Burroughs' writing to appreciate the movie. As an exercise in oddity it can stand alone just fine. In truth however, despite my ascribed area of "expertise" here at IllCon I have no intention of talking about the film. I haven't seen it in over a decade. No, what I want to tell you about is the Naked Lunch soundtrack by Howard Shore. Shore got his start working with Cronenberg, and has scored almost all of the director's films (including Videodrome.) Obviously it's a partnership that works, and this Naked Lunch soundtrack is ample proof. Still, I'm not even here to talk to you about the soundtrack to Naked Lunch, merely to point out that it is awesome and encourage you to listen.

Buy yourself some Naked Lunch

Lunch

Lest you think that Howard Shore is some kind of one director pony however I offer this other awesome selection. In addition to the above, in the same year he scored the phenomenal  psychological crime/horror Silence of the Lambs for director Johnathan Demme. (He also did some Twilight ST's, but whatever, gotta pay the bills right?)

Buy Yourself some Silence of the Lambs

Silence

Kung Fu

Whether or not you are familiar with any of the films, you're bound to appreciate this collection of classic kung-fu movie themes from the Shaw Brothers Studio. The action, tension and high-drama of the genre come out full force in the music with kettle drums and armies of brass. It may not be quite the same, but I almost feel as if I'm watching the movies again (or for the first time).

If you're not a kung-fu fan, I suspect you will be after THIS. Many of these films are more than just martial arts, but social commentary and humor, sometimes pure exploitation and I can't recommend enough that you check them out.

VARIOUS ARTISTS - THE RETURN OF THE LIVING DEAD SOUNDTRACK (1985)

To be honest, I'm not really a huge fan of any one band on the Return of The Living Dead OST (not even Roky Erickson--please direct your indignant hate mail to illogicalcontraption@yahoo.com), butt ass a hole, the whole thing just WORKS, probably just because of all the fond memories I have personally attached to this beyond-stellar 1985 masterpiece of a film. I mean, zombie movies just don't get much better than this. Real talk.



Track list:

1. Surfin' Dead - The Cramps
2. Partytime (Zombie Version) - 45 Grave
3. Nothing For You - TSOL
4. Eyes Without A Face - The Flesheaters
5. Burn The Flames - Roky Erickson
6. Dead Beat Dance - The Damned
7. Take A Walk - Tall Boys
8. Love Under Will - The Jet Black Berries
9. Tonight (We'll Make Love Until We Die) - SSQ
10. Trash's Theme - SSQ


Download HERE
Purchase HERE

*Extended version with dialogue snippets and whatnot over at Digital Meltdown